We are in London. The time is 1722. We are at the 18th Century equivalent of a writer’s festival. A mature man in full wig sits at a high desk. He is Daniel Defoe. This celebrated writer has just published his latest work, 'A Journal of the Plague Year'. Ever the salesman and propagandist, he is here to boost the sales of his new book: partly fascination with the subject, partly due to his need to explain himself but mostly he needs the money. An interactive show, Defoe will invite his audience to paint parallels of life during the Great Plague of 1665 and the one that we can all relate to-now.

She's there when you close your eyes to go to sleep at night, basically she's like a sexy-evil Sandman with a knack for turning your fears into hate. Borishkiva has been whispering in the ears of ill-adjusted world leaders for centuries resulting in some of humanity's lowest points. Flip through a history book some-time, her K.P.I’s (Kills per injustice) are off the charts.

A gripping new dance work exploring the physical effect of legal systems on the body, from lawyer-turned-choreographer Rhys Ryan. In a tightly controlled arena, driven by the pulse of a slowly accelerating metronome, three performers weave movement with metaphor to reveal the invisible laws that shape our actions.